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Ritual Works For Destruction I [Sound Of Coprophagy]

by Ierophania

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about

We present a large authorized edition of the works of the unique project Ierophania, which stood at the forefront of the "revival" of Russian noise music at the beginning of the 21st century.

Ierophania has never been genre-oriented, constantly changing the background from album to album, but has always remained true to its once-postulated "ritual anti-art" manifesto. Ierophania is a refusal to create aesthetic constructions, but a ritual, as an act of communication between a person and the highest level of reality – the God. This is the extraction of your hidden God, the very image and likeness.

The pinnacle of the project's creativity, preceding the monumental joint work "Enscort of Endless Summer", the "Ritual Works For Destruction" dilogy. The essence of the once-chosen concept of ritual anti-art, conceptually divided into two parts, which exactly characterize the two sides of the same coin of the deepest human nature: war and sex. The world cannot be returned. But Ierophania is not the singers of decadence. There is no rapture of decline and dancing on the bones, but only the gaze of an outside observer, cold and detached, fully aware of what awaits all of us.

Musically – two sharp twenty-minute musical canvases, the incarnation of true industrial even before it was divided into genres at the junction of concrete music and ritual percussion industrial.

credits

released August 8, 2021

Originally recorded in 2007.
Remastered in 2017.

Artwork by J. Nemo.

© COD label and distribution, 2017
℗ COD label and distribution, 2020

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COD label and distribution Moscow, Russia

Castle of Dreams: out of bounds, out of style, out of limits. There are no political manifestos or world-turning ideas. Every day we look for subjective beauty and capture this moment in the form of music albums, accompanying artifacts and documentaries about beautiful people. Welcome to the Castle. ... more

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